BRIAN YUZNA & JOHN PENNEY LAUNCH NEW NORTH AMERICAN DISTRIBUTION COMPANY, DARK ARTS ENTERTAINMENT, IN PARTNERSHIP WITH MVD ENTERTAINMENT GROUP
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One of these zany films is Full Moon’s Seedpeople. Recently released with a new 2K transfer on Blu-Ray, is this sci-fi/horror film in the former “so bad, it’s good”, or the latter of just plain“bad”?
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Grindhouse Releasing is here with their newest release of a forgotten William Shatner thriller, Impulse. Long thought to be lost, this film has now gotten the deluxe 2-disc treatment, but is this an impulse to buy
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Eureka Entertainment announces the release of The Cat and The Canary, Paul Leni’s ground-breaking masterpiece of early cinematic horror, on April 23.
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SOV powerhouse Visual Vengeance is quickly becoming the gold standard for these long-forgotten amateur films. Their newest release, The Wrong Door is a classic example of a label taking a chance on something just outside their wheelhouse. Is this a door you want to walk through, or is it better to pass?
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This time in the crypt we take a look at the newest release from Visual Vengeance, Scream Queen. This “lost” film from the early 90s starring Linea Quigley is more meta than you might expect considering the period it was made, but is it a lost film worth finding?
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Vampires and Other Stereotypes is one of the recent releases from Visual Vengeance and it dabbles in, among other things, vampires and stuff. Is this release a SOV flick to sink your teeth into, or is it bad blood from the jump?
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Another perhaps lesser-known film from the early 2000s is Deadirl and it has just been released on Blu-ray for its 15th Anniversary from Unearthed Films. Does this shocker still hold up after all this time?
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Visual Vengeance understands what makes great SOV horror and continues their run of stellar releases with Bret McCormick’s The Abomination. Is this one of the “good” SOV releases, or is it just another example that proves the SOV haters right?
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One of the most infamous horror films is Fred Vogel’s August Underground’s Mordum. The sequel to his divisive first film, it prides itself on being meaner, nastier, and more deviant than its predecessor. Is this horror hyperbole or “holy f*cking sh*t” horror?
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One of the most infamous films in the confrontational horror sub-genre is FRED VOGEL’s AUGUST UNDERGROUND series. Thank you to folks like STEPHEN BIRO at UNEARTHED FILMS, we now have what may be the definitive version of this classic confrontational horror film. Does the film live up to its reputation, or is it all bark and no bite?
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After 25 years FULL MOON FEATURES has brought the bloodstone-seeking bloodsucker back for SUBSPECIES V: BLOODRISE. Is Radu’s presence a welcome return, or should he be kept in the coffin for the foreseeable future
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In the 90s, FULL MOON FEATURES was churning out some of the most interesting and original concepts wholly catering to the cult/sci-fi/horror crowd, of which is today’s title, NETHERWORLD. Now with a brand new remaster on blu ray, is this a title worth remembering or is it not fit for this world?
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From the messed up minds at UNEARTHED FILMS comes LA PETITE MORT 2: NASTY TAPES newly released on blu ray for the first time in North America, is this extreme horror sequel breaking the mold for the genre or is it proving why so many of these films ever get the sequel treatment?
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We travel back to 1968 for RONIN FLIX’s recent release of the Western Exploitation film, THE WICKED DIE SLOW. Is this Exploitative Western something to saddle up for, or should it be put out to pasture?
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All this talk of big monsters takes us to Thailand for EPIC PICTURES’ newest blu ray release of THE LAKE. Is this towering Thai terror going to shock and awe you in the best ways, or the worst ways?
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SORORITY BABES IN SLIME BOWL-A-RAMA 2, is a bit of an odd-duck coming from FULL MOON FEATURES. Is the label best known for C-level franchises reviving a future classic, or a mundane cult hit that hasn’t stayed too sharp?
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UNEARTHED CLASSICS presents CALAMITY OF SNAKES. A CAT-III film from the 80s whose title is quite telling. Is this calamity worth a spot on your shelves?
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This week in the crypt we have the newest release from ARROW VIDEO, LOVER’S LANE. Is this mid-90s slasher here to save the sub-genre, or is this just another example of the rampant mediocrity that afflicts so many of these films?
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